|Starsky & Hutch - the early years|
When I heard it was a comedy drama that touched on the Sharon Tate story of 50 years ago I worried where this film may be headed. I needn't have worried. I won't give anyrging away here, but the version of events you see in Once Upon a Time is purely stand alone; as are the 'cameos' of other non fictional characters in this work of semi-fiction. The fight scene, for instance, with Bruce Lee on the lot is one of the funniest things I've seen in a long time - I think the Lee estate would be more up in arms than Tate's, that's for sure.
As for the soundtrack, it's precisely what a Tarantino soundtrack should be. It fits like a hand in glove. And whilst the selection appear effortless, random even, you just know it was sewn together with a surgeon like precision. Where else would you find Deep Purple segueing into Neil Diamond?
Neil Diamond - Brother Love's Travelling Salvation Show (1969)
The ending, then, takes us somewhere completely different to that seemingly telegraphed earlier in the movie (very much in keeping with Tarantino's skill of misdirection) and is, er, executed quite brilliantly. It really is extraordinary what some people keep in their shed. 8/10