Showing posts with label KPM. Show all posts
Showing posts with label KPM. Show all posts

Tuesday, 30 December 2025

Motorway Special (10 pics from '25)


I had a lovely birthday, thank you for asking. I spent it over at the Number One Son's new gaff in Stockport. He and Natalie were the perfect hosts and ensured that Medd Snr. didn't have to lift a finger all day. (Though I was in charge of the decks while James was cooking up a storm in the galley, so dropping the needle onto the grooves was as strenuous as it got.)


I opened a few prezzies in the afternoon and amongst all the shiny new things I unwrapped I was delighted to find a both a tee shirt and mug paying homage to one of my favourite buildings: Forton Services on the M6 is legendary - I would love to have seen it in its heyday but alas my Time Machine is still in dock. The photograph above, my tenth to mark 2025, is one I took earlier this year at the aforementioned motorway services on our way to Scotland. And the photos of my gifts are below.


 

Rewind to the early 60s and The Ted Heath Big Band were welcoming in the dawn of the UK's emerging motorway network; much of KPM's library music was scored specifically to showcase and highlight the new, the fast, the modern. Raph Dollimore wrote this with all of the above in mind. 

 Ralph Dollimore - Motorway Special (1960)

 

Monday, 22 December 2025

Before Summer Ends (10 pics from '25)

Here's my ninth photograph to mark 2025. Summers are all too brief in this country at the best of times, but after the year I've had I really could've done with a bit more of it; of all the summers I wanted to go on longer, 2025 was definitely the one. But it wasn't to be. I can't complain though. My friend J is really struggling at the moment. In fact she may not have many summers left, bless her. These are the trees just up the road from where she lives. I photographed them just before the end of summer. They were around long before we were and they'll still be around long after we're gone. I'm no philosopher (except maybe when I've got a pint in my hand), but I do find myself ruminating more than is probably good for me. I read a quote the other day and it's found its way into my psyche: 'A society grows great when old men plant trees in whose shade they shall never sit.' I've never planted a tree before. I think I may have just found my New Year's resolution.



 Keith Mansfield - Before Summer Ends (1976)

 

 

Thursday, 18 December 2025

Voice of the Sea (10 pics from '25)


Here's my eighth photograph to mark 2025. I paid two visits to Bristol this year. The second time was to record some new material with Phil Cooper. I wrote about the songs I recorded at the time, including this one. Fuelled by nothing more toxic than tea and biscuits we had a really productive session (I'd like to go back next year and do a couple more) and between takes we chatted in his garden. I was admiring the artwork on his boundary fence; turns out Phil's wife is not only green-fingered but an artist to boot as well. I may have to let her loose on the album cover!              



Eric Spear (1908-1966) is probably best remembered for a television theme tune he was commissioned to write in 1960. Granada TV  were making a new serial set in the North West. Eric duly came up with the goods and wrote Lancashire Blues for the show which was to be called Florizel Street. They paid him the princely sum of £6 for his work. When Granada realised one of the cast (William Roache) couldn't pronounce the name of the show, it was hastily changed to Coronation Street. This isn't that.

 Eric Spear - Voice of the Sea (1964)
 

Wednesday, 17 December 2025

Spotlight (10 pics from '25)

Here's my seventh photograph to mark 2025. A few days in Suffolk back in September was most welcome. We stopped in an agreeable hotel in Southwold that not only served sensational beers in the bar (Adnams, natch) but  an establishment where kippers could be found on the breakfast menu; definitely a coastal thing - I'm thinking of Whitby and Newcastle where I also dropped anchor this year and where too the herring was a breakfast option. Southwold is also home to that rare breed of lighthouse - the inland type; in this case, found in a residential street a couple of hundred yards from the headland.


São Paulo resident Rogerio Duprat was a devote of avant-garde art and music. At his peak, when blending psychedelia & classical music for his film scores, Duprat was dubbed the Brian Wilson of Brazil.

Rogério Duprat - Spotlight (1981)

Monday, 15 December 2025

The Apartment (10 pics from '25)

Here's my sixth photograph to mark 2025. Glasgow, November - walking back from the venue to the digs after seeing XGenerationX we wended our way down a leafy tree-lined avenue very reminiscent of New Walk that cuts through Leicester, taking you to the De Montfort Hall. Anyway, about half a mile down Kelvin Way and a particular apartment caught my eye. I don't care if it's wrong or if it's right.



Duncan Lamaont was a jazzer through and through. Born in Greenock in 1931 he plied his trade in the myriad of jazz clubs that proliferated London's Soho in the 50s & 60s before pitching up at the KPM label. If you're ever asked at your local pub quiz who wrote the Mr. Benn theme music, look no further; tho' he used pseudonym Don Warren so as not to upset the Jazz fraternity.

Duncan Lamont - The Apartment (1975)

Sunday, 14 December 2025

Love Deluxe (10 pics from '25)

Here's my fifth photograph to mark 2025. I'm not sure if it's been the same where you live but we've had some absolutely stunning sunrises and sunsets over the last few days; huge balls of fire in the sky doing their coming up/going down thing. And the beautiful pink backdrops they leave behind are equally mesmerising. It was one of those skies I happened upon on Friday evening. My friend Neil and I were between bars when I looked up and saw an ordinary sign looking anything but. 

   

Another track from the KPM stable. And another from Keith Mansfield. For those of you who follow such things, Mansfield's riddims have been sampled over the years by, among others, Danger Mouse, Gnarls Barkley and Fatboy Slim. 

 Keith Mansfield - Love Deluxe (1976)

Thursday, 11 December 2025

On the Brighter Side (10 pics from '25)

Here's my third photograph to mark 2025. It was April, my final stay in hospital, and I was but a handful of days away away from receiving my leaving papers. This was the corridor leading to Morris Ward. I was on Morris Ward. Great things happen on Morris Ward and great people work there. They offer the ultimate emergency service. Like many parts of City Hospital, that's where lives are saved, mine included. I'll never forget that. I'll also never forget the first day I was allowed to leave my isolation room and slip anchor. I made it as far as the walled courtyard where the sun shone and I drank a cup of real coffee. I took this photograph on the way. For the first time in a long time I was filled with hope.

★ 

This mini series appears to have been hijacked by the KPM record label. And none the worse for that. Today I've gone with another one of their writers in residence: Johnny Hawksworth was a jazzer born in 1929 and, commercially, probably best remembered for his Thames Television ident (you'll know it as the precursor to the Sweeney!). Johnny provided the label with so much TV and film material - I'll probably do a little resumé of his work (and the other KPM stalwarts) in the New Year.

Johnny Hawksworth - On the Brighter Side (1982)   

Wednesday, 10 December 2025

Man With a Mission (10 pics from '25)


Here's my second photograph to mark 2025. Back in those lazy, hazy, crazy days of Summer, my good friend Ernesto and I decided to pay a visit to a mannequin graveyard; fifteen thousand mannequins in the middle of nowhere Lincolnshire. Someone in my writing class had given me the steer: 'It's made for you,' she said. Turns out she was right. I took scores of photos that day so editing to down to one was nigh on impossible. But I guess if you have Superman powers then nothing's impossible; here's that one photograph.



I'm currently obsessed with Library Music and the KPM label. Here's another exponent of the art; where easy listening soundtracks meet loungecore meets jazz and funk.

Keith Mansfield - Man With a Mission (1974)

Tuesday, 9 December 2025

Girl in a Sports Car (10 pics from '25)

It's been one helluva year, I don't mind telling you. I'm not generally one for hyperbole so I'll just say 2025 has been tough. If you want chapter and verse then take a peek at some of my back issues - you'll get the gist. But, and this is a big but, it hasn't all been bad. Friends and family (you know who you are) got me through this. Music got me through this. Books got me through this. Blogging got me through this. And my camera got me through this. During my recuperation I was still able, despite feeling quite weak, to get out most days and get some (much needed) air in my lungs and, whilst out and about, point my camera at whatever and whoever I bumped into.

So what I've done is select 10 photographs I took at some point during the last calendar year. They're not in date order or indeed ordered in any way. Just 10 shots straight off the bat. Also, I've tried to choose images that I haven't previously posted on my blog. Oh, and there may be a piece of music to go with them as well. I say may - I'm not 100% sure yet as to what the other nine pics will be (or even that I'll post them all this side of the New Year). 


Anyway, let's start with the lovely Lisa. Lisa & Mike own a rather nice bar in my part of the world. Lisa heard I was poorly and said there'd be a drink with my name on it when I was well enough to venture out. And, sure enough, there was. Thank you, Lisa


Alan Hawkshaw was, together with Johnny Pearson, the King of Library Music. His compositions spanning 50 years can be heard all over film and TV. He also wrote the theme tunes for Grange Hill and Countdown. 

Alan Hawkshaw - Girl in a Sports Car (1973)

Wednesday, 7 May 2025

Johnny, David & Bruce

Johnny Pearson, anyone? The name conjures up a formidable centre half; a journeyman who turned out for QPR, Luton Town, Bournemouth and latterly Wimbledon. He would probably have picked up a couple of U-21 caps for England along the way. And then the inevitable calf injury that forced his early retirement from the game. All very plausible but, alas, incorrect. Johnny Pearson was, as I'm sure many of you already know, a musician's musician. Band leader, arranger, composer - he was Mr. Top of the Pops for fifteen years straight (1966-81) conducting the TOTP Orchestra. One of his many other claims to fame was being one of KPM's foot soldiers - writing and recording quality off the peg library music which often ended up being used for TV themes and or incidental music. I listen to his stuff often and am constantly blown away by the range and diversity of his recorded output. In this his centenary year I'd like to drop a couple of his tunes that everyone will know. First up, who can forget Sleepy Shores. 1970s goggle boxers will know it as the theme to Owen MD but, as any crate digger will tell you, it really is a stand alone loungecore classic. 

Johnny Pearson & His Orchestra - Sleepy Shores (1972)

The second one I've chosen harks back to a blogpost I wrote earlier this week. It features on a KPM compilation titled Children and Animation. It's less than two minutes long and, as the makers of Mary, Mungo and Midge quickly worked out, it was a perfect fit for their newly commissioned kiddies' programme.

Johnny Pearson - Mini Walking (1969)


★ 

Every now and again I read something written by one of my fellow bloggers that either upsets or troubles me. One such post written a couple of days ago c/o New Amusements. NA spoke with genuine affection for bass player and original member of The Jam, Bruce Foxton. It's well documented that Bruce is not in the best of health. In fact he's bowing out after nearly fifty years in the business. NA then threw in one of Bruce's songs he wrote for the band, News of the World. Bruce was not a prolific songwriter but every now and again he hit the motherlode. And with a promo video featuring Battersea Power Station as a backdrop, what's not to like? Also it gives me an opportunity to put up another image of BPS; this time it's a Hockney-esque interpretation of south London's mot iconic structure.  



Johnny Pearson (1925-2011)
David Hockney (1937-)
Bruce Foxton (1955-)