|Gabriel Fauré (1845-1924)
Gabriel Fauré wrote his Pavane in 1887. Originally conceived as a solo piece for the piano, it soon gained traction amongst his musical peers and became an orchestral tour de force, before transmogrifying into a renowned choral work.
It's a tune (and melody) that works on so many levels and, as you can see from the three versions I've chosen below, there is neither an orchestra or, indeed, choir to be seen.
Acclaimed keyboard player Brian Auger reworked it in 1970 as a crossover classical/jazz infused, Hammond led instrumental. I defy you to keep still while you're listening to it. Would Fauré approve? I'd like to think so.
Next up a trumpet led take on it by horn player Markus Hoerhan. Not really straying too far from the original dots, it's not unpleasant at all. Toot toot.
And finally, a more traditional approach. Straight from the concert hall, but with just guitar (Craig Lake) and flute (Sian Fenn). It's probably how Fauré heard it in his head when he was writing it.
If I had to rank them I think I'd struggle to be honest. What do you think?