Be-Bop Friday

David - he's colour blind

My friend David - he of the salmon pink shirt which he swears blind is orange - recently wrote 100 words for me on the first single he bought with his own money.
At our most recent compact and bijou Vinyl Session (the one before lockdown), being a huge fan of Be Bop Deluxe, he played Futurama - their second album from 1975. Last Friday night when we discussed rebooting the sessions again, I asked David to tell me in 200 words why Be Bop Deluxe are his favourite band of all time.
And no, he didn't use the dreaded phrase Wakefield's finest; however, I did have to edit out at least five uses of the word genius; well, maybe two. Only kidding, David! But your shirt is still salmon pink.


"The reason I have always been enamoured by Be-Bop Deluxe, throughout my 40-odd years of being relatively sentient and capable of critique, is that they encapsulate perfectly all the things I love most about the rest of my favourite music. They are, for me, the absolute yard-stick of genius*.
Their prolific run of albums (five released between 1974 & 1978) is an absolute tour-de-force of song-writing, production, musicianship and downright inspired artistry.
Fronted by the sprite-like impresario Bill Nelson, the band were somehow able to contain his phenomenal guitar-playing, cool stage-presence, magical lyricism and innovative production techniques to come up with a sound that was as complex, unique, and relentless as it was loud.
Be-Bop Deluxe were simply the epitome of the heart-thudding excitement that good music induces; always so deliciously upbeat and able to use their breath-taking creativity to transport the listener to other worlds and sensitivities; like watching a movie. And the way their multi-layered productions included brass bands, guitars, synthesisers, horns and, of course, Bill Nelson’s virtuoso axe wielding, means there is always something new to discover. Even now.
Be-Bop Deluxe really did show how awe-inspiring, uplifting, artistic and, yes, clever putting together sounds and talent to make music can be."

* I kept one in!

Be-Bop Deluxe - Maid in Heaven (1975)

Are you able to write 200 words on your favourite band or artist? If so, you could be next up in the feature I'm already calling Be Bop Friday.  Please do get in touch.

Sunburst Finish

Sunburst Finish (Acrylic on Canvas)

The Woodlands Gallery (about to enter its fifth year, and now located in Nottingham) has recently acquired two new paintings. Yep, the brushes came out for the first time in ages yesterday and here they both are.

Sunburst Finish, I think it's safe to say, owes very little to the 1976 Be-Bop Deluxe* album of the same name, but the colours and texture cried out Sun as I was working on it yesterday - despite the fading afternoon light on the canvas.

Wood Embers (Acrylic on Canvas)

Wood Embers on the other hand is, excuse the pun, something of a slow burner. I wasn't jazzed with it at all while I was painting it. It's only when it began to dry that the colours bled through. The title, meanwhile, came a little while later...

* Be-Bop Deluxe really did try and set the world alight, but always seemed to be punching above their weight. Being neither Glam nor Prog in the mid seventies, and with one eye on the impending new wave, they somehow got left behind in a world that loved the idea of a band like Be-Bop Deluxe, but didn't necessarily want to buy their records or foot their ladder as they tried to climb it. Shame, really, as Bill Nelson - Mr. Deluxe - knew how to write good songs. Like this:

Be-Bop Deluxe - Sleep That Burns (1976)