There is nothing, absolutely nothing, about this piece of film I don't like. Every moment of its five minutes and 20 seconds warms my heart. Laundromat is taken from Rory Gallagher's eponymous solo album released in May 1971. And this performance from Beat Club (a sort of German Whistle Test) was recorded shortly thereafter. As with most overseas performances by UK bands in the seventies, we never saw them; it's only recently, all these years later, that we've discovered what our idols were getting up to in Europe and America thanks to YouTube and the like.
Rather than frame a 250 words review of it, here are the headlines:
* Curly guitar leads, *so* 1971
* Rory wears double denim, and gets away with it
* His drummer wears his girlfriend's top, and he too, sort of, gets away with it. Just
* Rory's guitar looks like it's just been pulled from a burning building
* Tarot card backdrop
* Stack of orange amplifiers (though not Orange, but Stramp)
* He never looked better than he did in 1971; he would soon *fill out*
* Laundromat sits at the top table of the Side One, Track One Club
Rory Gallagher would have been 70 last Friday. He never even saw his 50th.
I'd like to dedicate this to Frank Johnson. It was he who pointed me in the direction of this album all those years ago. Cheers Frank!
In 1975, following the departure of Mick Taylor, The Rolling Stones were scrambling around looking for a new guitar player. Rory Gallagher and Jeff Beck, among others, were flown out to Rotterdam and sat in on a couple of sessions. Keith was making notes throughout but didn't see or hear anything he liked; not until his old mate Woody turned up that is. The rest, as they say, is why Ronnie Wood is still referred to as the new boy.
'What are ya wearing lipstick for Mick?'
Fool to Cry, featuring not the guitar but an electric piano (courtesy of Mick who locked-on to the perfect groove and stayed with it), captures the Stones at their funkiest; probably only out-funked a couple of years later when Miss You appeared on Some Girls - around the same time as Rod's remarkably similar Do Ya Think I'm Sexy. This is a sublime outtake from the Black and Blue sessions and sounds like they're not far from nailing it. Listening to this you can forgive Jagger almost anything.
Nothing says 1974 quite like a Ford Zephyr, mutton chop sideburns and a lumberjack jacket. This short film extract, taken from Rory Gallagher's 1974 Irish Tour, ticks all of the above boxes whilst at the same time combining a powerful live rendition of AMillion Miles Away - with a charming travelogue featuring Gallagher's home town of Cork City. Keep 'em peeled for the autograph hunter who can't quite believe his luck.
An album I keep coming back to time and again is Rory Gallagher's eponymous solo outing from 1971. And as any self respecting, chin stroking, rock buff will tell you - step forward David Hepworth - 1971 was a vintage year for classic albums that has (probably) never been bettered.
After experiencing rave reviews with Taste (frequent comparisons were made at the time to Hendrix's combo) the lad from Ballshannon who had started out (as indeed had most young Irish musicians before him) on the showbands circuit, went solo.
He enjoyed considerable success on his home turf, in the UK and in mainland Europe. His gigs were invariably sell outs and often went on into the wee hours. Shows in excess of three hours were not uncommon - you just couldn't get him off the stage.
I won't dwell on his untimely end but instead give you an idea of just how high his stock was in the mid 70s. When Mick Taylor left The Rolling Stones it appeared that William Rory Gallagher was in the frame to plug the gap. Rory's brother, Donal, picks up the story.
"At the end of 1974, Mick left the band and Keith and Mick had to look for a replacement. In January 1975, I got a phone call from The Stones management wondering if Rory might be interested, because Mick saw a lot in Rory. That was the case and of course it also made my mouth water. The auditions took place in The Hague, in The Netherlands. Rory went there on his own, and to this day I regret that. He was put up in a hotel, jammed a bit with the band, but no decision was forthcoming. Even then The Rolling Stones were an unassailable mega act and could have everything they wanted and keep everybody waiting. Rory on the other hand had a tour of Japan in his agenda and those dates kept getting closer. The Stones’ management knew that, but probably thought that Rory would cancel it. However they didn't count on Rory’s stubbornness, as well as his loyalty to his fans. He kept waiting to the end, but finally packed his bags and left a note at the reception: "If you still want me then I will hear from you" and he left for Japan. If I had been there I would have tied him to his chair if I had to. I wonder sometimes: what would have become of him if he had become a member. Would he be alive still? There was never any word from The Stones. They were probably offended to death by his perceived impertinence."
Listen to Laundromat (Side 1, Track 1 from Rory Gallagher) and tell me that Mr Wood was the right man for the job. No offence Ronnie, but what the Stones needed back then (and probably still do) was someone who could bring something new to the table; not a Keef clone.
